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Youtube : online video and participatory culture / Jean Burgess, Joshua Green.

By: Contributor(s): Material type: TextTextSeries: Digital media and society seriesPublisher: Cambridge, UK ; Medford, MA : Polity Press, 2018Edition: Second editionDescription: xii, 191 pages : illustrations ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780745660196
Subject(s): Additional physical formats: Online version:: YoutubeDDC classification:
  • 302.231 BU.Y 2018 23
LOC classification:
  • HM851 .B87 2018
Contents:
How YouTube matters -- YouTube and the media -- YouTube's popular culture -- The YouTube community -- YouTube's cultural politics -- YouTube's competing futures.
Summary: Revised and updated, this book takes YouTube and its contexts seriously as a media and cultural phenomenon. The new edition reflects YouTube's maturity as a platform and includes more detailed coverage of its institutional and economic contexts.Summary: YouTube is now firmly established as the dominant platform for online video, and it continues to be a site of both experimentation and conflict among media industries, creators and audiences. First published in 2009, this was the first book to take YouTube seriously as a media and cultural phenomenon. This revised and updated second edition explains how the platform is being used, how it is changing, and why it matters. The new edition reflects YouTube's maturity as a platform and includes more detailed coverage of its institutional and economic contexts, while retaining the discussions of YouTube's relation to wider transformations in culture, society and the economy that made the first edition so valuable. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how YouTube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural 'production' and 'consumption'. Rich with concrete examples, the second edition will continue to be essential reading for anyone interested in the contemporary and future implications of online media.
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Item type Current library Collection Call number Status Date due Barcode
Books Books The Knowledge Hub Library Design Media 302.231 BU.Y 2018 (Browse shelf(Opens below)) Not For Loan 190616

Includes bibliographical references (pages 160-181) and index.

How YouTube matters -- YouTube and the media -- YouTube's popular culture -- The YouTube community -- YouTube's cultural politics -- YouTube's competing futures.

Revised and updated, this book takes YouTube and its contexts seriously as a media and cultural phenomenon. The new edition reflects YouTube's maturity as a platform and includes more detailed coverage of its institutional and economic contexts.

YouTube is now firmly established as the dominant platform for online video, and it continues to be a site of both experimentation and conflict among media industries, creators and audiences. First published in 2009, this was the first book to take YouTube seriously as a media and cultural phenomenon. This revised and updated second edition explains how the platform is being used, how it is changing, and why it matters. The new edition reflects YouTube's maturity as a platform and includes more detailed coverage of its institutional and economic contexts, while retaining the discussions of YouTube's relation to wider transformations in culture, society and the economy that made the first edition so valuable. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how YouTube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural 'production' and 'consumption'. Rich with concrete examples, the second edition will continue to be essential reading for anyone interested in the contemporary and future implications of online media.

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