| 000 | 02803nam a2200445 i 4500 | ||
|---|---|---|---|
| 999 |
_c483 _d483 |
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| 001 | 19863336 | ||
| 005 | 20220223075516.0 | ||
| 008 | 170804s2018 nyua b 001 0 eng d | ||
| 010 | _a 2017025147 | ||
| 020 |
_a9781138911246 _qhardcover |
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| 040 |
_aDLC _beng _erda _cDLC _dEG-CaTKH |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aHM851 _b.V595 2017 |
| 082 | 0 | 0 |
_a302.23 VL.P 2018 _223 |
| 100 | 1 |
_aVlavo, Fidèle A., _eauthor. |
|
| 245 | 1 | 0 |
_aPerforming digital activism : _bnew aesthetics and discourses of resistance / _cby Fidèle A. Vlavo. |
| 250 | _aFirst edition. | ||
| 264 | 1 |
_aNew York, NY : _bRoutledge, _c2018. |
|
| 300 |
_axi, 162 pages ; _c24 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 0 |
_aRoutledge studies in new media and cyberculture ; _v37 |
|
| 504 | _aIncludes bibliographical references (pages 147-158) and index. | ||
| 505 | 0 | _aIntroduction: digital performance -- 'I come from cyberspace': the space of resistance -- 'Little electronic shadow': the virtual body -- 'What CD was ECD is now': the legacy of contention -- 'Not found on this server': the performance of protest -- 'I did it for the Lulz': the humour of disturbance -- Conclusion: tactical performance. | |
| 520 | _aFrom the emergence of digital protest as part of the Zapatista rebellion, to the use of disturbance tactics against governments and commercial institutions, there is no doubt that digital technology and networks have become the standard features of 21st century social mobilisation. Yet, little is known about the historical and socio-cultural developments that have transformed the virtual sphere into a key site of political confrontation. This book provides a critical analysis of the developments of digital direct action since the 1990s. It examines the praxis of electronic protest by focussing on the discourses and narratives provided by the activists and artists involved. The study covers the work of activist groups, including Critical Art Ensemble, Electronic Disturbance Theater and the electrohippies, as well as Anonymous, and proposes a new analytical framework centred on the performative and aesthetic features of contemporary digital activism. | ||
| 650 | 0 |
_aInformation technology _xPolitical aspects. |
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| 650 | 0 |
_aArt _xPolitical aspects. |
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| 650 | 0 | _aMass media and art. | |
| 650 | 0 |
_aMass media _xPolitical aspects. |
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| 650 | 0 | _aPerformative (Philosophy) | |
| 650 | 0 |
_aSocial media _xPolitical aspects. |
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| 650 | 0 | _aPolitical activists. | |
| 942 |
_2ddc _cBK |
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| 998 |
_ahuda.mahmoud _bM _d20220222 |
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| 998 |
_amona.romia _bR _d20220223 |
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| 263 | _a1709 | ||
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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