000			05260cam a2200349 i 4500
001			19355680
005			20220626074210.0
008			161028s2017 nyua 001 0 eng d
010			_a 2016049852
020			_a9781628924725 _qpaperback
040			_aDLC _beng _erda _cDLC _dEG-CaTKH
042			_apcc
050	0	0	_aNK2113.5 _b.L56 2017
082	0	0	_a747 LI.P 2017 _223
100	1		_aLinton, Harold, _eauthor.
245	1	0	_aPortfolio design for interiors / _cHarold Linton, William Engel.
264		1	_aNew York : _bBloomsbury , Fairchild Books an imprint of Bloomsbury Publishing Inc, _c2017.
300			_axix, 275 pages : _bchiefly color illustrations ; _c31 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
505	0		_aObjects & objectives : Prologue -- Portfolios are living documents! -- Objects and opening -- Books, boxes, and hybrids -- Leave behinds and teasers -- Storyboarding -- Going full size -- Living sequences -- Continuity -- Hidden factors -- Patterns of success -- Envisions vs. revision: a golden opportunity for a fresh approach! -- Read between the lines -- The spirit of conception & creative process : Stepping back before stepping in -- Collecting images for a form board -- Reading your form board -- Inspiration ; The big idea ... concept -- Titles and problem statements -- Engage -- Robust research -- Thinking out loud -- Preliminary budget: testing materials and ideas -- Organizing portfolio materials: what to include : Wish to see -- Computer inventory -- Desktop organization -- Fixing older projects -- Concept sketches -- Comprehensive design projects -- The industries -- Materiality -- Supplemental categories -- Focused skills -- Green design -- 3D interior space ; Allied interests -- From concept to process to layout design : An inspired layout design -- What do we mean by design? -- Origins of concepts -- Organization -- Designing with typography -- The role of design process -- Visualizing the words -- The umbrella concept -- A road map: typical conceptual process for the layout design of a portfolio -- Layout and visualization -- Checkers of chess -- Business perspective: sketching, storyboards, and layouts -- Concepts lead -- Juggling -- Capturing expressive images : Sensing -- Expressing -- Capturing images with purpose -- Process: design thinking -- Lighting and color temperature -- Materials, media, and studio lighting -- Interior setup -- Models -- Lighting studio -- Scanning, photocopying -- and combining images -- Presentation strategies -- Control the image editing process -- Understanding your strengths -- Cultivating sensibilities: seeing and perceiving -- Human factors -- Digital presentations : Overview : Preparing physical work for digital media -- Creating digital images -- Editing digital images -- Raster images -- Vector images -- Designing the layout -- Exporting for publication -- A few final thoughts -- Critiques & conversations -- Overview -- Featured portfolios -- Beyond the portfolio -- Research & written communications : Summary of start-up interior design firms: what matters? -- Resume and cover letter -- The interview -- Advice on how to show a portfolio/project -- General advice -- Design statement -- Meeting with clients, design brief, and analysis -- Concept boards -- Transitions and evolving new documents -- The underlying human experiences -- Using your portfolio as a tool : Overview -- Research -- Initial discussions -- A new team -- Process presentation in your book -- Guiding the resume -- Interviewing (resume, portfolio, iPad, Laptop, and URL) ; Lead with confidence -- Portfolio of interior portfolios : Alexandra Seager: successful layout and graphic design -- Chad Zumbaugh: designing within limits -- Kirsten Stover Cessna: custom size books have personality -- Shizuka Nagaya: layout design reflects individuality -- Kalie Hendricks: organizing process and product -- Kelsie Lally: project briefs speak volumes about concept and ideation -- Conclusion.
520			_a"Portfolio Design for Interiors teaches the aspiring interior designer how to create a professional quality portfolio. Using real examples of outstanding student portfolios, authors Harold Linton and William Engel demonstrate how to analyze, organize, problem-solve, and convey diverse types of visual and text information in various forms of historic, contemporary, and innovative styles. The text features a robust art program and examples of various presentation applications, including graduate study, employment, scholarships, grants, competitions, and fellowships. This is an accessible and comprehensive resource for students learning professional portfolio design"-- _cProvided by publisher.
650		0	_aInterior decoration rendering.
650		0	_aDesign services _xMarketing.
700	1		_aEngel, William _c(Artist), _eauthor.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK
998			_ahuda.mahmoud _bM _d20220620
998			_amona.romia _bR _d20220626
999			_c447 _d447