| 000 | 02491nam a22003137a 4500 | ||
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| 005 | 20220817071544.0 | ||
| 008 | 220817s2006 enk||||| b||| 001 0 eng d | ||
| 020 |
_a0719070392 _qpaperback |
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| 020 |
_a9780719070396 _qpaperback |
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| 040 |
_aEG-CaTKH _beng _cEG-CaTKH _erda |
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| 082 | 0 | 0 |
_a702.813 RO.M 2006 _222 |
| 100 | 1 |
_aRohdie, Sam, _d1939-2015 _eauthor. |
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| 245 | 1 | 0 |
_aMontage / _cSam Rohdie. |
| 264 | 1 |
_aManchester \ _bManchester University Press ; _c2006. |
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| 300 |
_aviii, 146 pages ; _c22 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aCinema aesthetics | |
| 504 | _aIncludes bibliographical references (pages 138-142) and index. | ||
| 505 | 0 | _aEadwaerd Muybridge -- Takeshi Kitano -- Takeshi Kitano (2) -- Pier Paolo Pasolini -- Lev Kuleshov -- Sergei Eisenstein -- Sergei Eisenstein (2) -- David Wark Griffith -- David Wark Griffith (2) -- David Wark Griffith (3) -- Eric Rohmer -- Alfred Hitchcock -- Samuel Fuller -- Dziga Vertov -- Howard Hawks -- Howard Hawks (2) -- Jean Renoir -- Jean Renoir (2) -- Jacques Rivette -- Michelangelo Antonioni -- Michelangelo Antonioni (2) -- Jacques Rivette (2) -- Alain Resnais -- Alain Resnais (2) -- Étienne-Jules Marey. | |
| 520 | _aMontage enters into a dialogue with the cinema, probing and playing with its language of motion and stillness, continuity and discontinuity, constraint and openness, time and duration. Sam Rohdie's book guides its ideas and arguments to a plane free from the often unwieldy complexities of contemporary theory and cultural criticism. Montage explores associative and comparative possibilities in the films of directors such as Takeshi Kitano, Jean Renoir, D.W. Griffith, Howard Hawks, Lev Kulsehov, Sergei Eisenstein, and Alfred Hitchcock. Through the prism of montage, it offers new perspectives on mise en scène, framing, shots, and narrative variation. In combining the analysis of film forms and structures with an awareness of their historical and artistic relation to other art forms, it also elucidates an appreciation of montage aesthetics that is attentive to the influences of photography, painting and other arts. | ||
| 650 | 0 |
_aMotion pictures _xEditing. |
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| 650 | 0 |
_aMotion pictures _xProduction and direction. |
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| 650 | 0 |
_aMotion picture producers and directors _xHistory and criticism. |
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| 830 | 0 | _aCinema aesthetics. | |
| 942 |
_2ddc _cBK |
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| 998 |
_amona.romia _bP _d20220817 |
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| 999 |
_c1109 _d1109 |
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