000			04152cam a2200361 i 4500
005			20220609094823.0
008			210907s2016 enka|||| |||| 001 0 eng d
020			_a9781472591319 _qpaperback
040			_aEG-CaTKH _beng _cEG-CaTKH _erda
050	0	0	_aZ246 _bA558 2016
082	0	0	_a686.22 AM.P 2016 _223
100	1		_aAmbrose, Gavin, _eauthor.
245	1	0	_aThe production manual / _cGavin Ambrose, Paul Harris.
250			_aSecond edition.
260	1		_aLondon : _bFairchild Books _c2016
264		1	_aBedford Square : _bFairchild Books, an imprint of Bloomsbury Publishing PLC, _c2016.
300			_a207 pages : _bcolor illustrations ; _c30 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aRequired reading range.
500			_aPrevious edition: Lausanne: AVA Academia, 2008.
500			_aIncludes index.
505	0		_aIntroduction -- Chapter 1: Typography. Measurements -- Absolute and relative -- Type. Letterforms -- Alignment -- Multiple alignments -- Word and letter spacing -- Hyphenation and justification -- Kerning -- Leading and baseline -- Runaround -- Type online -- Special characters -- Case study: Pentagram -- Chapter 2: Images. Image types -- Raster and vector images -- Other image types ; File types. file formats -- Saving images -- Working with images. Resizing images -- Channels -- Layers and combing images -- Adjustment layers -- Working with clipping paths -- Masks -- Image manipulation. Altering images and filters -- Parallax and transformations -- Case study: Bob Aufuldish -- Chapter 3: Color. Basic terminology. Describing color -- Color management. Gamut and color space -- Pantone and spot colors -- Color correction. Basic color adjustment -- Variations and selective color -- Removing color casts -- Color correction using hue -- Dodge and burn -- Creative color. Color layers -- Multiple images -- Grayscale and toned images -- Multi-tones -- Color half-tones -- Color in print. Getting the basics right -- Tint charts -- Color on screen. Web-safe color -- Case study: Blok -- Chapter 4: Pre-press. Resolution. Resolution and pixel depth Spi, ppi, dpi and lpi -- Scanning. Scanning today -- Creative techniques. Overprinting -- Half-tones and gradients -- Artwork. Bleed, registration and trim -- Trapping -- Types of black -- Imposition. Planning -- Tip-ins and tip-ons -- Proofing. types of proof -- Case study: Clormann Design -- Chapter 5: Production. Printing. Printing and print order -- Printing imposition -- Screen angles -- Gradients and tints -- Line weights -- Print processes. Printing methods -- On-press. Adjusting color -- Paper. Paper qualities -- Paper types and print quality -- Sustainability -- Case study: NB Studio -- Chapter 6: Finishing. Special techniques. Specialty printing -- Cutting methods -- Laminates and varnishes. Laminate types -- Folding and trimming. Types of fold -- Trimming and guillotining -- Binding -- Case study: Anagrama.
520			_a"Praised for both its content and its design. The Production Manual covers everything to do with production for graphic design; from basics such as paper sizes and terminology through working with images and text, exploring different pre-press techniques, and the processes involved in bringing a project to press. Written in a straightforward and visually rich style, The Production Manual is an invaluable resource for students and designers alike. New to the second edition of the Production Manual are six case studies from international design studios Pentagram, NB Studio, Clormann Design, Anagrama, and Blok among others. There is also expanded information about working with images, as well as updated information on the production process which highlights new techniques, and more coverage of digital technologies and environmental and sustainability issues."
650		0	_aGraphic design (Typography)
700	1		_aHarris, Paul, _d1971- _eauthor.
700	1		_0Harris, Paul,
830		0	_aRequired reading range.
942			_2ddc _cBK
998			_ahuda.mahmoud _bM _d20220607
998			_amona.romia _bR _d20220609
999			_c1011 _d1011